What I Do

Motion was my first language. Before strategy decks and dynamic toolkits, there were title sequences, projection maps, and keyframes that told stories frame by frame. I came up in the world of network packages, commercial spots, and experimental visuals, where timing is emotion and design moves in real time.

I’ve worn every hat on set and in post: Creative Director, Art Director, storyboard artist, animator, editor, and illustrator. Whether leading live-action shoots or stitching together a sequence in After Effects,